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This is where I share my passion for music and support the bands I like. Expect intense, passionate, and radical stuff from this blog.
Incinerated is a death/grind band from melbourne, australia (I rewied their excellent split with Intensive Care). But it's also a one-man (Cristian Farias) project from Chile. Also in death/grind waters, this short release called Portraits of Serial Killers, mix grindcore, goregrind and Mortician. And do it well.
Morbidity Triumphant is the ninth album from Autopsy, seven years after the previous one (and like 35 years after the bands beginnings!). Still their usual mix of old-school death metal (which of course was new when they started), Slayer and Black Sabbath. And Chris Reifert is still an instantly recognisable and awesome death metal vocalist.
They're not reinveinting the scalpel but sure are still slicing sharp and deep.
In a better world I would have reviewed some Snakes Don't Belong in Alaska a long time ago, but a least their new album Interstellic Pysychedelic will be an excellent one to start with... Definitely influenced by the space rock of Hawkwind (especially the epic feel, the vocals...), krautrock, drone/doom, and probably what runs in the water in Newcastle-upon-Tyne (also inhabited by Mike Vest, also in a similar musical universe). Epic and trippy to say the least. Interstellic Pysychedelic confirms Snakes Don't Belong in Alaska is one of the best psych bands around.
Fade to Viral is the new album from Russian producer Code 906. More than an hour of finely crafted jungle loops over dark ambient. Not very far from Christoph de Babalon, could also remind Mick Harris works. An excellent album. Recommended!
Iron Lungs BC page for Antobodies
Intensive Care / Andrew Nolan BC page for That We Be Made Worthy
Kill Division is the grind project of two ex-Malevolent Creation, Gus Rios (guitar) and Kyle Simons (vocals), with also Dirk Verbeuren (ex-Aborted, Megadeth) on drums. Their first album called Peace Through Tyranny delivers some grind with a strong old-school death metal flavour (Do these guys also death metal in their sleep? probably). Everything is in place and groove hard and fast. Really a nice piece of old school death/grind.
As Legends Fade and Gods Dies, the second album from Exordium Mors may be not as awesome as their first one (I urge you to listen to The Apotheosis of Death), but it's another excellent one anyway, among the best recent metal releases. They polished a bit their sound, and I'm not sure it really makes it better, but it's ok, I suppose some will prefer it this way. Othersiwe they are back with another assault of epic black/death/thrash/speed, with high level songwriting skills, and old school in spirit but modern and quite technical in execution. Highly recommended!
Traître Câlin are not so easy to label, but I'd go for industrial rap madness, De la Ruine is their third and best yet album. Vocals are screamed, rapped or spoken in French, with smart lyrics somewhere between Baudelaire and Anorexia Nervosa, over beats that are boom-bap or trap, with also various elements of power electronics, free jazz samples, etc. in general various industrial noises and sound in a way or another. It could evokes Sadistik, Dalek, Kabal, Picore, The Bug, that kind of stuff. This new album is maybe less French rap rooted than the previous ones (which I recommend as well), going further in a noise rap / trap / power electronics directions. Disturbing, different and finely crafted. Recommended!
Trauma Bond is a Londonian duo composed of Eloise Chong-Gargette doing the vocals & lyrics and Tom Mitchell doing the music. Winter's Light is their second release (after an already excellent The Violence of Spring last year), it delivers twenty minutes of high quality noisegrind/powerviolence. Recommended!
Because of the Weak is the new Fret album from Mick Harris, and weak it is definitely not! It delivers ten tracks of super heavy, dark and abrasive industrial techno, with trademark Mick Harris bass heavy dubs, a touch of jungle and some noise textures. If or when you feel Scorn is too peaceful, the more aggressive Fret will satisfy you. Another awesome release from Mick Harris.
Nobody Knows, released in 2012 is not the most recent album from Nobody aka Willis Earl Beal, but I think it's still his masterpiece (the rest is good as well). He's crafting his on mix of every Afro-Amercian music from the chain-gang worksongs to hip-hop through blues and soul, for a result that sound at the same time familiar and unique. Both he songwriting and the singing are excellent and special and this album should be considered a classic.
Black Magnet released an excellent first album two years ago (Hallucination Scene), with strong NIN and Godflesh influences. Now James Hammontree (the man behind Black Magnet) is back with a second album called Body Prophecy, also excellent, also influenced by NIN and Godflesh (there's even a good Justin K. Broderick remix of one of the song). What's new is that there's also definitely a Marilyn Manson influence (think Antichrist Superstar and Holy Wood) in a few songs, and why not? Black Magnet doesn't score much on the originality, but as long as the albums are this good, that's fine for me...
Mammoth Volume is a Swedish band that has been active between 1998 to 2008, and reunited in 2020. An that's great because the progressive stoner you can hear on their new album The Cursed Who Perform The Larvagod Rites will pleasure anyone into Black Sabbath, Alice in Chains, QOTSA or Mastodon. Heavy, catchy and creative. Maybe they have the potential to become huge (Mammoth Volume indeed!), I don't know if they will, but anyway, so far I just enjoy this nice album, and suggest you do the same.
Witheout, the eight album from Antigama delivers another excellent piece of forward-thinking math-grind. Feeling a bit more straightforward and slower than The Insolent was, with a less catchy songwriting it will maybe stay as less memorable, even if I also like how they managed to develop this time a different atmosphere, less frenetic, more deliberate (but still super fast and angry!), dark and dystopic. Without confirms their place as the best technical and modern grind band. A strong contender for best grind album of 2022 !
Infidel, released two years ago, is the third album of Ambush. It sees the Swedish band going a bit more personnal, keeping the very strong Judas Priest influence (Accept as well) but less permanently blatant. The result is a solid and enjoyable traditionnal heavy/speed metal album, with good songs, musicianship and excellent vocals. And they maintains the cheesiness inherent to the style at the right level (enough for the fun, but not too much).
Ancient Methods (from Berlin) is one of the most reliable dealer of industrial techno. The Jericho Records is their latest LP (released in 2018), and an immersive listening experience, the beat-driven hard-hitting element going hand in hand with the dark futuristic atmosphere. And featurings like producers Orphx, Regis and Prurient and vocalist King Dude cannot harm for sure. Excellent stuff, and a good entry point if you want to discover industrial techno.
Dearth, the third album from French grinders Whoresnation continues the evolution already heard on Mephitism, their grindcore keep on getting more brutal and heavier, evolving from old-school grindpunk to a more modern sounding deathgrind. And why not, since the result is really convincing, confirming their move from being among the best in the French grind scene to being a band that count on the international scene. Highly recommended!
Recommended stuff.
New LP from Suffering Mind called Lifeless (released by grind powerhouse Psychocontrol Records). Side A delivers your daily dose of grindpunk, mercilessly executed, tight and with a modern sound. Side B is noise, movie samples punctuated by bursts of grind, little bits, but gaining additional impact by being hidden in the noise/samples. Another good release from Suffering Mind.