Hollow mirrors is a Frisco band and released in october 2011 a self titled record full of really high quality psychedelic rock . Don't know much more about them, but I know what's more important : their music is pure candy to the ears. The more I listen to it, the more I like it. Good rythmes, vibrations, trippy and quiet atmospheres, cool keyboards parts, good singing melodies, etc...to sum ip up, really pleasant psychedelic rock.
Don't fail to check it out on their bandcamp page.
-Can
you present the band, what was the project at the start and how it
evolved?
We
are Tim Scammell (Bass, Vocals), Andrew Berg (Guitar, Organ, Vocals)
Sam Foster (Drums, Vocals) and Bryce Shelton (Guitar, Vocals). In
2009, Tim, Sam and Bryce formed a new project out of the ashes of
their previous band, Modig Wuht. The new project started as a mainly
instrumental and improvisational 3-piece for a short time before
Andrew came into the fold. When he joined, the improvisational aspect
remained, but we then had a fourth member to complete the lineup and
began to really develop our sound. This is also the period where we
became "Hollow Mirrors”.
-what
was the musical journey of the members of the band before forming
Hollow mirrors?
The
members of the band have a variety of backgrounds playing a variety
of genres. Hollow Mirrors really came together around a mutual love
for heavy spacerock, prog, psychedelia, krautrock and other related
genres with a real driving rhythmic sound. Prior to playing together,
we were friends and knew where our influences overlapped with each
other. As the band started taking shape, we generally wanted to keep
our sound in line with those influences while allowing a lot of
creative freedom. We all had past experiences playing with bands that
were somewhat bound by a genre and wanted to avoid that as much as
possible with Hollow Mirrors. Generally speaking, we are big fans of
most kinds of music and hope that our sound can evolve along with our
tastes.
-how
do you write the songs?
While
some of our material is pre-written by individual members and then
brought in to be hammered out as a band, most of our ideas stem from
practice space jams. There is a strong aesthetic for improvisation
with Hollow Mirrors and about 90% of our finished songs are formed
this way. We also have the benefit of using a portable digital
recorder during all our practices so that we can listen back to our
improvs and flesh them
out into coherent songs. This is usually a long process of constant
tweaks and revisions, but the end result is rewarding in that we have
a sound finely attuned to how we want it to be.
-I
guess being from san Fransisco helps getting into and playing this
kind of music, am I right?
Yes
and no. While of course San Francisco is a wide melting pot of
culture and definitely has its prominent history in psychedelia, it's
not a guaranteed ticket to be in psych rock band. There are a
baffling amount of different scenes in every type of music and all of
them have scenes within the scenes. It can be rather confusing at
times really, trying to network and gain attention outside of your
own circles. But as an aesthetic, San Francisco (and in general the
Bay Area) surely has a certain vibe to it that is like no other. We
are still a very open-minded and creative community filled to the
brim with thinkers, artists and musicians. So there's no shortage of
stimulation.
Also
where we live is quite scenic and and the natural beauty is as
diverse as its inhabitants. If one was so inclined, they could get in
there car and within a few hours drive you can go to the mountains,
giant redwood forests, oak covered hills, dense urban areas, the
beach, etc. So I think all of that seeps into our creative
subconscious as well.
-with
what kind of band are you playing with? How is the SF scene today?
Well
to expound on the previous answer, it is a vast and immerse musical
sprawl with every kind of scene (underground, medium ground, and
mainstream all included) you could think of. Punks, metal heads,
goths, hippies, nerds, club kids, the wide and deverse hip-hop scene,
you name it. It's here.
Due
to most of our members coming from a metal background, our upbringing
has been heavily surrounded by the SF underground metal scene oddly
enough. But the fact that the Bay is filled with so many open-mided
individuals also means that even our metal heads are open-minded.
Thus we have been embraced quite warmly by this community and have
played a lot of shows with bands on the more metallic side of the
spectrum. We are trying however, to branch out and find a wider
audience while still keeping our initial audience intact.
-how
would you describe your live performances?
Each
Hollow Mirrors performance takes on a life of it's own. No two
performances of the same song will really sound the same since so
much of our improvisational aspect from the practice space comes
through in our finished songs. We usually prepare a set for a show as
early as we can so we can refine and nurture it until it holds up a
strong, mostly-continuous piece of music. We build transitions into
and out of songs and create jams in between songs specifically for
live performances. Whatever the set is though, we try to maintain a
level of relaxed-ness and not try to rush or overplay anything. We
want to take to audience on a sonic ride that has valleys, peaks and
pleasantly repetitive (and hopefully danceable) middle ground. Some
sets play out better than other sets, but I think as we continue to
grow and adapt, the more we gain a knack for getting it right.
-do
you have an idea about how will sound your next record?
We
are in pre-production right now for our second recording (on top of
rehearsing our material for upcoming shows), which will be started in
June of this year. While we have a lot of ideas and songs, nothing
concrete has arisen yet as far as cohesive concept for the
recording(though it wont be a "concept" album). The
recording process for us is another creative expansion on what is
already a heavily refined process. A lot of ideas sprout from within
the recording process alone, that breath more color and life into the
songs. Some of the material we will be recording is quite old (some
dating from the time we were writing songs for our debut) and others
are very new and will require more work to get them hammered out in
time.
One
thing about this new record that I can say is that I think it will be
a good natural progression from the first album. It will still sound
like us overall, but it will start bringing in other elements of our
sound that people may not be aware of. More post-punk and dark
atmospheric kind of stuff along with the more straight psych rock and
kraut influences. We are really looking forward to it.
-what
are your projects for the band ?
Well
as stated before, we are preparing to record what will likely be our
second full length album in June. We will probably shop the album
around tat first o labels to see if any are interested in pressing
and distributing the album. So if that all goes smoothly then it is
likely we will have another album out this year. Aside from that we
are still concerned with playing more live shows and seeking a wider
audience. There have been talks of going on a small tour to the
American Northwest, but at this point nothing is concrete.
-something
to add in conclusion?
Thank
you Blasting Days for the interest in our music and thanks to
everyone who took time to read this!
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