Tech Level 2 - Indifferent (EP 2025)

Blasting Days readers should already know that Justin Broadrick isn't only an ex Napalm Death and doing Godflesh, he's mostly active nowadays as electronic/industrial music producer, and have done that sicne the nineties. As Tech Level 2 he's doing old school jungle, withe some eerie atmsospheres and an abrasive sound. the Indifferent EP is four track of raw jungle excellency.

 

The BC page. 

 

Elizabeth Bane - Tenerife Sur (2026)

Can't tell you much about Elizabeth Bane, but this Tenerife Sur album is an excellent piece of noise/industrial/dark ambient, reminding a bit what Dominic Fernow (Prurient/Vatican Shadow) is doing. I hope we'll be hearing more from this new producer int he future!

 

The BC page. 

 

Haunted Horses - Dweller (2025)

Haunted Horses is a trio from Seattle, and their fourth album, Dweller, is confirming the excellency of their post-punk (reminding a bit Iceage, especially the vocals) mixed with some noise rock heavy enough to border doom, with a sinister industrial feel. Haunted indeed, and recommended!

 

The BC page. 

 

Bong-Ra - Esoterik (2026)

Bong-Ra recent music is often described as "doomjazz", which is relevant, but I'd say "Godflesh with sax" would give you a more accurate idea of what Esoterik sounds like. What's different in Esoterik from the previous album Black Noise is that the jungle beats are gone, while the music gets more atmospheric, especially those ritualistic ambient with saxophone parts. Godflesh meets Painkiller could be another good description. In any case, Esoterik is an excellent piece of dark and heavy music somewhere between doom metal and industrial. And I'm looking forward to what the next Bong-Ra evolution will be.

 

The BC page. 

 

Blush Response - Ego Death (2025)

When I reviewed Blush Response previous album Sprawl in 2024 I wrote : "quality dark and industrial techno, but the most memorable part of the album is the couple of songs with vocals (from Marc Heal), showing that Blush Response could totally, with equal success, turn into an industrial metal band (reminding a bit NIN or Author & Punisher)". Seems I wasn't the only one to think that, since the new album Ego Death has vocals in every track. And the result is a noisy and abrasive combination of industrial metal, breakcore and EBM. A deadly mutation!

 

The BC page. 

 

Torn Relics - Bleeding in Colour (2025)

Torn Relics is a duo from London, Romek Boyer is doing the beats while Aimee Mullen is playing violin and bodhan and also sometimes singing (sometimes melodic, sometimes more riotgirl). Bleeding in Colour is their new album, and another fine piece of their sophisticated industrial/dark ambient meets Dead Can Dance music. And as usual there's a nice diversity in the songs, including a good one with some ragga style vocals. Highly recommended!

 

The BC page. 

The Young Gods - Appear Disappear (2025)

Yes, The Young Gods sounds eternally fresh, neither from the past nor in the present, but in their own time dimension. And every album is a new variation in their blend of industrial rock/metal and psychedelic rock, and... their own stuff. On their new one Appear Disappear we get more nice songs with heavy guitars, grooves, but also plenty of subtle atmospheres, melodic and/or trippy in their own special way. With good vocals either in French (they're from Switzerland) or in English, with poetic lyrics. Strongly recommended, as usual!

 

The BC page. 

 

Ramleh - Hyper Vigilance (2025)

Hyper Vigilance, the new Ramleh album keeps the psychedelic noise rock formula of the two previous albums, but is also enriching it with new elements and more diversity overall. The main new thing is the use in several songs of acoustic guitars, bringing a somewhat neofolk feel at times, with also more vocals, and on the other hand there are some harsher industrial/noise moments, making it maybe the most interesting of recent Ramleh albums. In any case, it's another awesome addition to their fantastic discography. One of my favourite album for this first half of the year. Totally recommended!

 

The BC page. 

 

Merzbow - Hatonal (2025)

I don't review harsh noise very often, not because I don't like it, but because it's difficult to write about it. Trying to describe it seems a bit pointless. Noise is something you have to feel... What to say about this one? Merzbow aka Masami Akita is among the pioneers and great masters of noise, maybe even people not into it have seen or heard his name mentioned, maybe listened to one of his collaborative albums with rock/metal artists. On Hatonal he's doing his stuff, noise with just enough variations to keep you listening and enjoying it. Might be a patience test for most people, a pleasure for some, and in any case, an interesting listening experience.

 

The BC page

 

LOTU - Arachnid (EP 2025)

I don't know much about LOTU, but all you need to know is that his Arachnid EP (4 tracks) is an excellent slice of bass music, going from industrial dub to dubstep, each track having a different flavour, dark, deep, heavy and trippy. Good stuff.

 

The BC page. 

 

 

NECROTECH - Necrotechnology (2025)

Necrotechnology is the first release (with Sentient Ruin Laboratories) from Brazilian industrial metal trio NECROTECH. Only five tracks, including an intro and a kind of (somewhat dark ambient) interlude, and we could say it's mostly Godflesh worship. But it's well done, and I really enjoy it, and look forward to hearing what they can do on a longer release, maybe following some directions that are hinted on Necrotechnology : dark ambient, noise, black metal, trap? Who knows, but it could be interesting... but for now I recommend you give a try at this promising first release.

 

The BC page.

 

The Bug - Machine (2024)

Last year, The Bug (producer Kevin Richard Martin) released a series of five EP called Machine, from I to V, and then compiled some of its tracks on this Machine album released by Relapse. As expected from The Bug, it delivers the best dark and industrial dub. This time it's all instrumental, perfect for feeling the power of the beats and getting lost into the pulsating bass. Strong stuff!

The BC page.

 

The Body - The Crying Out of Things (2024)

The Body have been sucessfully experimenting in collaborations with many artists, but it's also good to have them back with a new album on their own (their ninth). The Crying Out of Things sounds a bit like a return to the basics of their  industrial / noise with drums, guitars, screams and electronics sound. But like always they also introduces something new, and I'd say here it would be the use of background synths, bringing at times discreet melodies and at times an additional layer or colour to the overall atmosphere of the song. But no worry, it is enriching their sound, but without making it losing its raw and noisy feel. 25 years after their beginning, The Body keeps on evolving and delivering albums as good as ever. Thank you guys! Keep going!

The BC page.

 

Andrew Nolan & God Is War - The Hunt (2023)

Seems grindcore is a good school for industrial music, we had Mick Harris, JK Broderick, but there's also Andrew Nolan (ex The Endless Blockade, also doing Intensive Care) who is building a nice discography in industrial / dub music. His collab with God Is War (dark electro / industrial producer), called The Hunt, is a nice piece of illbient music a dark mix of industrial / dub / hip-hop). Recommended stuff!

The BC page.

 

 

The Body & Dis Fig - Orchards of A Futile Heaven (2024)

Yes, Orchards of A Futile Heaven is another collaborative album from The Body, this time with DJ and vocalist from Berlin Dis Fig (Felicia Chen). As expected, it's good, and it's especially recommended to people that like The Body music but are put off by their monotonous shrieking vocals. Here Dis Fig is doing most of the vocal, and she's did a great job, a lot more melodic and diverse, but also visceral and intense, fitting well the abrasive, dark and industrial sound produced by the trio. Among the most successful collaborative albums with The Body.

The BC page

.

STATIQBLOOM - Kain (2024)

This new STATIQBLOOM (Fade Kainer) album, called Kain, is a fine piece of dark-electro/industrial/EBM. Often heavy and hard-hitting, but not without subtleties in its sound, it will satisfy anyone into dark electro/industrial music.

The BC page.

 

Shapednoise - Absurd Matter (2023)

Second album from Shapednoise (Berlin based Italian producer Antonino Pedone), Absurd Matter is a finely crafted piece of industrial dub / illbient. And featurings from Armand Hmmer and Moor Mother are always welcome. Interesting stuff. 

The BC page.

 

Fausten - Mercenary (2022)

Fausten is Julian Caraz and Derek Szeto, and what they do toghether is what we could call industrial bass music (with elements of illbient, dark industrial, dubstep, etc.). They are back with a second release called Mercenary, nearly ten years after their first album, and they prove they still have it.And closing with a Fret (Mick Harris) remix can't be wrong either... Recommended for anyone into dark and heavy industrial/electronic music.

The BC page.

 

Godflesh - PURGE (2023)

PURGE is the new Godflesh album, six years after Post-Self. It's like a good condensed of the whole Godflesh discography, with the core elements laid since Streetcleaner, to the more ambient parts we had in Post-Self (and reminding Jesu), but with also the coming back of more jungle/hop-hop elements we had in Us and Them (and other JK Broadrick projects like Techno Animal). It will please all the Godflesh followers and is also a good one to discover the band, featuring all Godflesh has to offer. Another strong addition to the Godflesh work and no doubt the main industrial metal release at least for this spring/summer.

The Bandcamp page.

 

8 Hour Animal - Kill Your Boss (2023)

On Kill Your Boss, second album from one-man project 8 Hour Animal, again released by Sentient Ruin Laboratories, the music gets more industrial metal and EBM, and less power electronics. In any case, it confirms that 8 Hour Animal is a nice addition to the harsher side of the industrial scene.

The BC page.