Deadguy - Near-Death Travel Service (2025)

I'm discovering Deadguy with Near-Death Travel Service, their first album after their classics of the nineties. I won't compare it with their older stuff, in any case Near-Death Travel Service is definitely great on its own. It's an extremely strong piece of hardcore/noise rock hybrid, reminding both Black Flag and Unsane and Today is The Day. With excellent songs and especially good spoken/screamed vocals. Yes, most reunion of bands inactive during 30 years doesn't end up very exciting, but don't make the error of thinking it would be the same here, it's a really impressive reunion album. A total success.

 

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Soft Kill - Escape Forever (2024)

Escape Forever (released in 2024) isn't the most recent Soft Kill release, but I'll review this one because I think it's the most remarkable of the recent Soft Kill stuff (and the guy doing Soft Kill is too prolific to review everything he does). It saw an important shift for Soft Kill, basically it's when it got quite happy. Could have been a disaster for the inspiration and the music, but no. It's not so much a change of style than a change of mood. It still reminds The Cure a lot (the sound, the singing), just now it reminds The Cure happier songs... And it turns out to be one of the best Soft Kill releases. Recommended!

 

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Backengrillen - Backengrillen (2026)

I have mixed feelings about this one. Backengrillen has Dennis Lyxzén on vocals, two other ex-Refused members, Magnus Flagge on bass and David Sandström on drums and Mats Gustafsson on sax, and is released by Svart Records. So I had big expectations. It turns out I think it's a good album and I enjoy listening to it, but for the most part it sounds like doom metal with sax and Lyxzén singing, which is fine, but I expected something more exciting. Also, maybe it sounds a bit too much like long improvisations than songs, which it kinda is since the album has been done in three days. Anyway, the faster and more rocking, with a somewhat stoogian vibe, song in the middle of the album is great, and the songs all have some great sax playing, more melodic/lyrical than I expected from Gustafsson, but why not, when it's good it's good... 

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Shock Withdrawal - The Dismal Advance (2024)

The Dismal Advance is the first Shock Withdrawal album (after a good debut EP in 2022), and a great pick if you're into modern, tight and powerful grindcore (in a Nasum / Rotten Sound vein). No more, no less.

 

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Bygone - Bygone (2025)

Bygone is an excellent first self-titled album, merging synth propelled space rock and hard rock/heavy metal. It reminds at time Deep Purple and more often Hawkwind, but with also a touch of more recent stoner sound. Epic and catchy songs with great vocals. A strong start, recommended!

 

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HAYWARDxDÄLEK (2025)

This album is a collaboration between English drummer/composer (here also playing keyboards) Charles Hayward (This Heat, Camberwell Now) and American MC/producer Will Brooks aka dälek. Overall this is amongst the most minimalist/atmospheric works from dälek, and also amongst my favourites. The dreamy atmospheres are great, and the drumming brings more variations than usual beats. I love the overall feel of the album, and I think its more instrumental nature makes the vocals more impactful, making it sound always very deliberate, controlled and to the point. This combination will make some of the tracks classics amongst dälek already full of masterpieces discography. Between the word and the drum, Breath slow, As children chant, are totally awesome. A great collaboration, a great album, highly recommended! 

 

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Labyrinth of Stars - Spectrum Xenomorph (2022)

Spectrum Xenomorph, released in 2002, was the first album from German band Labyrinth of Stars (with guys from Lantlos and Valborg / Owl). I really recommend it if you're into both death-metal and more industrial and dissonant sound, with also a spacey element. They create atmospheres that could remind bands like The Amenta, Meshuggah and Godflesh. And, except the long ambient track closing the album, which isn't so bad, but not really memorable either, not really a problem but more like a lost opportunity, the songs are all very solid. I really wish they will release another one.

 

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