jeudi 17 octobre 2019

Deiphago - I, The Devil (2019)

Even more than with the previous one there's so much going on and it's so intense in this new Deiphago album, I, The Devil, that it took me some time to appreciate it. But I now understand it's another masterpiece. Their "war metal" style black/death hybrid is not only more brutal and intense than what others are doing, but they also have a more daring and complex songwriting. We could call it "technical war metal" but actually it has more a kind of "free war metal" feel. They are this time again in their own dimension, and it's inspired, inspiring and brilliant.

The Bandcamp page.


lundi 14 octobre 2019

Ten Thousand Miles of Arteries - Survival Bloom (2019)

Survival Bloom is the second album from Ten Thousand Miles of Arteries (Noah Lane Coleman), also on ANNIHILVS POWER ELECTRONIX. First one was excellent, this second one is confirming how good this guy is for making power electronics / industrial music. This new album is a bit more minimalistic, and with good results.  I also like the fine use of scrap metal noise. Highly recommended.

The BC page.


jeudi 10 octobre 2019

Tomb Mold - Planetary Clairvoyance (2019)

Tomb Mold are back with this third album called Planetary Clairvoyance, as any good old school death metal band they have the nice riffs and the groove, but that also have some good songwriting twist bringing something more interesting in every song. Like in their previous album they get a bit less raw and develops a slightly "progressive" element to their songs, and more melodic lead guitar parts, while staying in the old school DM territory. Not my favourite album from them I'd say to be honest (time will tell if that change later), but still really good stuff, easily above your average DM band.

The BC page.


mardi 8 octobre 2019

Endless Swarm - Imprisoned in Skin (2018)

Imprisoned In Skin is the fourth album from the Scottish band Endless Swarm. I'll be as straight to the point as their music is : this is excellent powerviolence/fastcore/grind. If you're into this kind of stuff you will like it, because it's good.

The BC page.


samedi 5 octobre 2019

Lightning Bolt - Sonic Citadel (2019)

Sonic Citadel, the seventh album (again with Thrill Jockey Records) from the drum/bass guitars duo Lightning Bolt is roughly in the same vein as the previous one Fantasy Empire, and that's fine because it's also very good. Their noise rock with a kind of free rock feel is as intense as usual, with the spectacular drumming,  the loud bass guitars and  screams, but also some good melodies and adventurous and inspired songwriting. Another very strong and enjoyable album.

The Bandcamp page.



mercredi 2 octobre 2019

No One Knows What The Dead Think - ST (2019)

With No One Knows What The Dead Think (the name of the band and the self titled first album) two third of Discordance Axis (Rob Marton, guitars and Jon Chang, vocals, joined by Kyosuke Nakano who is doing a really good job with the drums) are making an impressive come back. Sounding like a slightly more polished version of Discordance Axis this is modern grind/hardcore at its best, fast, technical, but also catchy and memorable grind songs (10 songs in 20 minutes). In a few months when everyone on the internet will be making "best of the year lists", this album (released by the really good Willotip records) will be in the list of everyone into grind (but not only), probably often in first place, and it will be deserved.

The BC page.


lundi 30 septembre 2019

DREAD - In Dub (2017)

This album called In Dub is actually the second "dub" release from Lustmord, but it's been released (in 2017) under the name of DREAD, maybe because it's goes further into dub territory than the first one (also good, but more industrial and closer to the usual Lustmord sound, a bit like Lusmord with some dub beats). I don't listen to a lot of dark ambient because I often find the lack of a rhythmic backbone frustrating, and Lustmord usual work is no exception for me, but with the addition of beats, and I really like the dub beats so it's even cooler, then it is solved and the result is great. In Dub has the slow motion dark feel that you would expect from Lustmord but it's also really a dub album, not just dub beats over industrial/dark ambient music, there's some (dark) melodic themes, a bit of vocals, a bit of guitars, and the omnipresent bass heavy sound. Whether you like Lustmord doesn't matters, what we have here is a great dark dub album.

The Bandcamp page.