Buñuel - Mansuetude (2024)

Buñuel, the other band with Eugene S. Robinson, seems to be more than a one shot, since there is now (well, I'm a bit late here, it's been released two years ago, sorry) a second album called Mansuetude (I also recommend the first one Killers Like Us). No big surprise we're into noise rock territory, and as expected we get great screamed/spoken vocals. But maybe more diverse than Oxbow, sometimes heavier, sometimes more melodic, sometimes groovier, more rocking, sometimes a post-punk feel, a touch of math rock. Maybe progressive noise rock would fit. In any case great songwriting, a formidable singer backed by really talented musicians. Awesome!

 

 The BC page. 

 

Cryptworm - Infectious Pathological Waste (2026)

Do you love sweet melodies and pretty flowers? Would you kill for it? Do you love brutal death metal, goregrind, and Suffocation? If you do, The third Cryptoworm album Infectious Pathological Waste is exactly what you need. So sweet, groovy and putrid!

 

The BC page. 

 

Ghostvolume x Trust One - High Concentrate (2025)

High Concentrate is a nice dose of instrumental hip-hop (with a MC Nuse Tyrant featuring on one track) from producers Ghostvolume and Trust One, all being regulars of the Californian M25 label. The mood of the album often evoke old-school occult/horrorcore boom-bap but with also a smoother somewhat trip-hop feel as well that reminds DJ Shadow (with also the jungle loops and smart sampling). Highly recommended!

 

The BC page. 

 

La Dispute - No One Was Driving The Car (2025)

I'm still not that much into post-hardcore and emo, but I always pay attention when La Dispute release another album. No One Was Driving The Car is another nice piece in their discography and like usual the vocals really shines, sometimes screamed, sometimes spoken, or half-spoken half-screamed. Recommended!

 

The BC page. 

 

 

Uulliata Digir - Uulliata Digir (2025)

First and self-titled album from Polish band Uulliata Digir. And what a strong debut it is! Could be described as death/black progressive death metal, with sax and male/female vocals sometimes screamed, sometimes more melodic, great and special in any case. The use of the sax is also especially good. And their music has a dissonant and weird feel that make them definitely closer to Imperial Triumphant or Oranssi Pazuzu than to Opeth. But they managed to craft a distinctive style from the start. If I had made an AOTY list last year, it should have been included. Highly recommended!

 

The BC page. 

 

Hold Me Down - Devour (2025)

From their debut EP and this second album, Devour, it sounds like Hold Me Down mostly developed their Godflesh whorship side. Well, a more personal style wouldn't harm, but I have to say that talented disciples of the Godflesh are also always welcome as well. And Hold Me down are for sure excellent at doing the godfleshian kind of industrial metal. If you're into it, you'll enjoy Hold Me Down.

 

The BC page. 

 

Deadguy - Near-Death Travel Service (2025)

I'm discovering Deadguy with Near-Death Travel Service, their first album after their classics of the nineties. I won't compare it with their older stuff, in any case Near-Death Travel Service is definitely great on its own. It's an extremely strong piece of hardcore/noise rock hybrid, reminding both Black Flag and Unsane and Today is The Day. With excellent songs and especially good spoken/screamed vocals. Yes, most reunion of bands inactive during 30 years doesn't end up very exciting, but don't make the error of thinking it would be the same here, it's a really impressive reunion album. A total success.

 

The BC page.